Brilliant, Grammy-nominated, jazz vocalist Gregory Porter(@I_GregoryPorter) does an excellent job with "On My Way to Harlem" keeping the mood light and bouncy with a hint of soul in his performance.
If you get the opportunity see him live take advantage of it. Watch his interview & performance with Brian Pace on The Pace Report below.
Gregory Porter(@i_GregoryPorter)is one of the most refreshing jazz vocalists I've heard in that last decade. Normally most guys you hear are a combination of Donny Hathaway and Fred Hammond - not Gregory Porter.
His vocal tone is uniquely his own, rich and original, yet familiar because of the quality it represents. As I've said, Bill Withers, Nat King Cole and yes, Sammy Davis Jr. come to mind when I hear him interpret a lyric.
The fusion of polished delivery meets raw soul is what I hear - Porter's sound is the past, the present and the future simultaneously. It's classic, it's contemporary and it's hip enough to move the genre forward.
I say this to say, I dig the guys stuff because of his authenticity. I've been exposed to jazz music my entire life and know a great vocalist when I hear one - Gregory Porter's merging of Blues/Soul/Jazz are so good that he could cut it outside of he genre as well. I'd love to hear him collaborate with Trombone Shorty, Lenny Kravitz, Jill Scott or Robert Randolph to name a few.
For now, I'm appreciative to be able to listen to Gregory Porter from Bakersfield, California(now residing in The People's Republic of Brooklyn) sing some mellow tones... and "Be Good".
Grammy-nominated Jazz vocalist Gregory Porter's new album, Be Good, has topped the iTunes charts and one of the standouts from that album is "Real Good Hands".
Gregory Porter is a jazz vocalist with an excellent command of phonation, intonation and vocal phrasing. Listening to him sing I hear so many of the greats - Nat King Cole, Bill Withers, Donny Hathaway... even a little Sammy Davis Jr..
Diversify your listening experience with some Gregory Porter.
Break Thru Radio Pulse shines the spotlight on the disappearing jazz scene that once dominated Harlem night life and contributed to America's musical culture.
The jazz scene in the northeastern region of the United States was vital to the development and later popularization of jazz music. Artist often moved between a triangle of cities during the music's earlier years - New York City, Newark, New Jersey and Philadelphia, Pennsylvania. There were other towns in between, but those three dominated, in terms of the amount of musical talent and venues available for musicians to perform.
It was often common for major jazz musicians to move between Newark one night and The Village/Harlem the next. My grandfather, a jazz pianist often played with the likes of Lee Morgan, Miles Davis, John Coltrane, etc. and they would often move around the area playing various jazz clubs.
It's really disappointing to see the live scene fade.
What I love most about this arrangement is how well produced it is, using mostly acoustic instruments. The ideas used to create the dynamics in the track don't rely on technology, but stand alone. They could have lazily easily relied on the new synthesizers of that time, instead genuine musicianship created a classic that showcased their talent to the world.
Even when he was misunderstood he was appreciated. His style of play would vary from comfortable to frenetic and agressive his song selection from midtempo to uptempo - Coltrane always evolved.